HAIL TO THE LAND- BURLE MARX FOR BRAZIL

Foto 1  rest in peace beautiful mind, roberto burle marx influenced his native land in the most durable yet alive ways. almost a decade after his death his works continue to inspire and spark relevance in nowadays debates on urban planning, sustainability and contextualised aesthetics. the brazilian landscape artist re-introduced something that might seem just too obvious- the use of locally growing plants. by doing this he was keeping his abstract, cubism inspired garden designs up for a continuous celebration of brazils fauna. research driven he specifically errected a place for intentional cultivation of brazils native vegetation, giving ground to 3.500 different species of plants.

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burle marx has been working on various projects, yet creating for the public sector, of all commissions, has been described as being his favourite –  since it ‘ could be enjoyed by all social strata ‘, as his collaborateur Haruyoshi Ono recalled him saying in an interview with the new york times.

copacabana’s mosaik strip for example gives room for joy, as well as the daily Foto 4 mindexpanding shapes in the city reminding ones eye of possible urban perspective without compromising on functionality

roberto’s regard has been finding numerous ways of colourful translation, since landscape design gives room for a combination of disciplines. thats why it is not surprising that he is reffered to being a painter, as well as an architect and a botanist at the same time. what counts is the use of the elements.

his specific style had entered brazil in the early 50’s, shaping the given playfully and celebrating whats there – for a public to embrace

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EGLISE SAINT SERGE, PARIS

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canal de l ourq reaching north
for the bonlieu to come

below la petit ceinture, the track that was
traverse the river
towards buttes chaumont along rue de crimeé
no 93
through gates, on cobblestones, some steps to reach
a fortress of a wooden wonder stands in its height
its standing still

surrounded by houses, by gardens

small and delicate and rich

you are to enter below its carvings
into a single hall of width and depth
candles and all voices melting into calm

lean your forehead on the icon
kiss its surface
choose your rhyme – light a candle for the beloved , for their protection
let go for it and give it time

   www.saint-serge.net

 

wear a headscarf for the entry and a skirt prolongued -for female
and for everyone, your hands exposed at all times inside, no hats

SEE YOU WHEN YOU GET THERE, SELF TRANSPORTATION IN THE AGE OF FINE PAVEMENTS

our walking experience has been put into question Foto 3Foto 5

surface considerations to wear, to walk on, to experience.  how to enrich our walking experience? the following examples are pointing out ways for play:  re-designed pathways and footware are on the market

Therapeutic-Shoe (1)Foto 1

whether its for posture or feel the shoe industry has caught up on the people’s behavioural lack of exercise and movement, suggesting to combine the daily with the useful. the futuristic products are set for form to result in function and are widely available by now.

the benefits described by the brands are evident, but if consideration and care for ones own body is inspired by it, so it be, its successfully raising some awareness

Foto 2Foto 4  playing upon human conditioning and pushing for ways to re think urban planning  recent cases of architectual propositions point a finger on important considerations concerning daily paths and general challenges of self transportation

atelier zündel cristea  won the 3rd prize in a competition for yet another bridge for paris’ seine. their inflatable construct consists of tubes in crossings and trampoline circles to bounce ahead

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meanwhile in the nikola lenivets forest in russia, the annual festival archstoyanie  presents a 50 meter long trampoline road cutting through the nature. the installation is designed by the estonian architects salto who ironically called their rubber pathway ‘fast track’  and describe it as  ‘an attempt to create intelligent infrastructure that is emotional and corresponds to the local context. It gives the user a different experience of moving and percieving the environment.’

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rethinking infrastructure                                         western world can afford this

can we arrive at a different point using other means then pavements ? it feels spoiled to be surpassing the functional asphalt road due to philosophical questions

yet these designs are really meant for a public- whether to be crossing the seine or a forest its initially about altering our physical sensation and conceptual flexibility- which is needed due to the dangers of comfort driven stagnation

what are roads, how do i behave on roads..how would i behave on trampolines, can i bounce at all etc etc

surely no insurance company would cover this,but one realised project of that sort manages to raise a point by giving it a try in humble seclusion- for now only to be experienced in an art context

THAMES TIDE RULING, BECOMING VOLUNTARY CULTURAL PRISONERS ALLOWING CHANGE ALLOWING TIME

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architectual envisoning in kontext of  london’s westbank

the 3rd year assignment of the by now graduating architect octave pero

illustrates an approach towards architecture that dares to incorporate alteration by its natural surroundings, conceptually using their effects

the thames tide rises twice a day, flooding the bank for six hours to abandon its shores again

by calculating its stream and water circuit the design related form of the project  An-OTHER CULTURAL SPACE

links cause and effect

to result in an extended riverbed shaped by these natural means

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An-OTHER CULTURAL SPACE consists of an open air gallery and a tidal venue among others

these two spaces have in common what other constructs would avoid

– the permission of interference

the gallery gets flooded according to the moon’s will and poses a simple question to the art world:

is there works, especially on high brow level, that could retain its value once flooded , once touching a reality of any possible ‘dangers’ such as nature, such as time causing decay- dangers that are coming with existing within a space ?

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in comparison: the safe surroundings of a white cube gallery stem for the will of the contrary:

preservation, presentation, non interference

in non places

the open air flooded gallery is challenging the artists as well as the visitors by imposing change on the works, on the space

and therefore on our perception.                       Foto 3

the tidal venue goes one step further

visitors may become voluntary prisoners due to the flow of the thames blocking the venues exits

regardless of the programmation inside, the duration of enclosement to perceive

syncs nature and time

bringing its consequences right into entertainment and arts , and our way of absorbing it

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no phone reception for the time being would be a suggestion from HIAS’ side

octave pero offers a  ‘no choice’  situation as part of a cultural package

the tide, that we learned to overcome sucessfully, holds the power of showing us limitations that we no longer would accept

unless its in an art context. yet the lesson learned from such a lock up or an even flooding, would sensibilise us for real.

spending time together, perceiving the given and sticking to a choice made wouldn’t have to be framed and imposed

yet general progress gives the impression there might be need for such ideas from a therapeutical point of you. for the people’s sake.


see the full project here